L-R: Arone Dyer and Aron Sanchez perform as Buke and Gase in November 2018. Each holds one of the band’s titular, custom-built instruments: a baritone ukulele and a guitar-bass fusion. [credit:
Sam Machkovech ]
NEW YORK CITY—The band brings to the stage: two grids of foot-triggered effects pedals and switches; two music stands, covered with a smattering of synthesizers, touchscreens, and touch-sensitive pads; two laptops, connected to this variety of inputs in a center console; two stringed instruments, neither of which look exactly like a bass or a guitar; and two foot-triggered pieces of percussion.
One of those is a compact kick-drum rig, connected to that array of laptops. The other is a bicycling shoe with tambourine parts welded onto its sides and sole.
This pre-show array of gear usually elicits curious looks from crowds who wonder what kind of noise is about to emerge. But the band Buke and Gase are here for a homecoming show of sorts. They’re fresh off a nationwide tour with Shellac, among the esteemed post-punk bands to have ties to the genre’s original DIY movement. They’ve just put the final touches on their new album, titled Scholars, set to launch two months later (as in, January 18). People are here to celebrate.
Source: Ars Technica – How Buke and Gase built a huge indie rock career—and its own guitars, software